Saturday, July 31, 2010

Africa: Henry VIII's Black Trumpeter


Henry VIII's black trumpeter, John Blanke, depicted on a 1511 rolling manuscript. Africlassical has a John Blanke page. National Archives even has his pay stub.

Way before John Blanke or Henry VIII, there were Africans in British high society. Recall the lady with the iron ivory bangle?

Friday, July 30, 2010

Somaliland: "Poets are the Real Celebrities Here" - Literary Festival, 2010

Somaliland International Book Fair/ Literary Festival ended a few days ago. The Strand talked to Orange Prize nominee Nadifa Mohamed (Black Mamba Boy), who was there.

Interesting tidbits: "Somaliland has the fastest internet connection in the whole of Africa," so the unrecognized country is not as cut off from the rest of the world as we would think.

Nadifa also claims--like K'naan does below--"poets are the celebrities here; not Big Brother House." 

Friday

You can catch up with Dr. Naif Al-Mutawa and the The 99 - here and here.



Anyway, the comic book doc starts his TED talk with some geek newsflash, "in October 2010 the Justice League of America will be teaming up with Islam's superheroes, The 99." Back in April though, intercultural superhero dialogue already got a  shout out from POTUS:

Morocco: Attracting Sub-Saharan African Students



Morocco is offering it's shores as an alternate higher education destination for sub-Saharan students. I'm sure students interested in animation, gaming and visual effects will find the infrastructure on ground quite impressive.

Nigeria: This Revolution Will Be Embedded



Dey Don Dey Move by Tha Suspect. feat. Illbliss, R-Cube... Label: CAPital Hill Music. Dir. Clarence a. Peters.

H/T: Bella Naija

South Africa: Ad Love


 Let's say you found that note on your car....

Wednesday, July 28, 2010

Africa: Ethan Zuckerman on Widening Our Web - TED Global 2010



Ethan Zuckerman (My Heart's in Accra...) on geeky big white Americans, twitter demographics, segregated conversations, soccer, Brazilians on twitter, world isn't flat; it's lumpy, global traffic ≠ global connections- infrastructure, American media bias, distorted (Alisa Miller) maps, Afrigadget, new media lazy activism or Morozov's Ipod liberalism, global airline traffic flow, imaginary cosmopolitanism, Global Voices, Madagascar's Fuku club, wisdom of the flock, xenophiles and bursting out of your Twitter filter bubble. Whole presentation + slides - here. Youtube - here.

...couldn't help smiling when he used the "blogger=DJ" metaphor (it's a great metaphor - i've also used it; pinched it here), and he admits that he is pretty much convinced that bloggers--i.e. pointers to cool infomation--are  increasingly going to be the "bridge figures"--not to be confused with Nick Kristof's "bridge characters" ;-)--through which our worlds are going to be made more global via the widening of the web. Knock on wood.

Tanzania: The Art of James Gayo


Here's a dodgy google translation of a '09 feature on Tanzanian cartoonist (and filmmaker) James Gayo in the Dutch magazine, Verspers. Over the last 23 years, Gayo (bio - here) has turned the comic strip into a wordless thing of beauty:




German academic Rose Marie Beck, here, uses Gayo's Kingo to highlight a crucial lack of understanding on the part of Western NGOs/media when trying to use comics in Africa to raise public awareness. Ogova Ondego lays out the core of Beck's argument, which highlights characters and themes in Gayo's work:
Beck describes Kingo as 'a sophisticated example of the ‘urban survivor’: a scrounger, apparently a lazy bone, a drunkard, a womanizer, a sly fox!' These character traits of Kingo—like those of the macho, dare-devil and carefree ones of the matatu (public transport) touts in Kenya—appear to attract rather than repel the public from Kingo. And the ‘angelic’ school girls to the ‘devilish’ matatu touts and truck drivers. This is similar to the admiration and laughter a market square clown draws from the public but without any one of those laughing wishing for their own children to become market place clowns or comedians. The East African comic, Beck contends, is primarily supposed to entertain. She adds that the Swahili comics are oriented towards straight-forward storytelling, with little background information. In this case, HIV/AIDS provides the story-teller with the chance to tell a dramatic and suspenseful story; HIV/AIDS is not the reason why he tells it. Though the Sara comic may have a consistent story line directed towards a happy conclusion, Dr Beck argues, it appears ‘bloodless’ and shallow'... The Sara comic, Beck says, “shows no profound knowledge of the potential of the comic in general, or the East African comic in particular.”

South Africa: DIFF 2010


Trailers for films showing at the Durban Int. film festival  - here.

Below, 9 min trailer + intro for Jahmil XT Qubeka's A Small Town Called Descent (2010) -- Three Scorpion agents (Vusi Kunene, Paul Buckby and Fana Mokoena) investigate xenophobic attacks in a small town:



Kenya: Assange on Wikileaks & the 2007 Kenyan Election



TED blog posted Chris Anderson Q&A with Wikileaks founder Julian Assange. He discusses, amongst other things,Wikileaks' role in leaking the Kroll corruption report.

Nigeria/ Kenya/ China: Speaking of Genes - A Blonde, Blue Eyed Igbo Girl, Cont'd

Nigerian daily eavesdrops on some skeptical Nigerian parliamentarians discussing reasons--i.e. a "mixture of a mutation, like albinism, combined with a dormant white gene"--given for the birth of Nmanchi, the blonde, blue eyed white girl born to a black Nigerian couple in the U.K. last week. Sorry non-pidgin speakers, but the whole piece is comedy. We'll take it from here:
...this thing happened abroad where they don't make that kind of mistake. If it's in Nigeria, I will say maybe it is possible. But Oyibo people are usually thorough when it comes to something like that. The truth of the matter based on what I have read is that genetics have something to do with the birth of that white baby. Genetics is something that can behave in such a funny way that you can see two very black couple giving birth to a light complexioned baby or even children. I have seen it happen...". But a parliamentarian by name Solomon had immediately pooh-poohed the explanation. "Abeg, leave that matter. Which kind gene is that that will make black people to give birth to Oyibo? They should ask
the mother of that baby some questions; she's the one to tell us what happened; how she take waka," he submitted. Alfred readily agreed with him, saying: "Yes O, it's the woman that should tell us what happened because I strongly suspect that she must have played an away match with an Oyibo man who pregnanted her in the process. Let them return back to Nigeria. By the time the mother-in-law starts asking her questions the truth will come out.
lol. Naijablog gave a possible explanation for the early sexual contact supporting the dormant gene theory. And speaking of "early sexual contact" but not so dormant genes, a reader who came across the Siddis of India, sent a link to the piece on a Kenyan village claimed to be inhabited by descendants of shipwrecked Chinese seamen 500 years ago:

South Africa: The Photography of Zwelethu Mthethwa

...from Larissa Leclair's list of books on African photography

NYT review/BBC's slideshow of photos from South African photog Zwelethu Mthethwa's ongoing exhibit at the Studio Museum in Harlem.

He discusses why "a younger generation of postapartheid photographers is embracing color, and rejecting the stark dualities and documentary realism of black-and-white photography" with BBC's Mark Coles - here

Ethiopia: Coffee's Holy Investors

NYT profiles Harlem based Abyssinian Baptist Church's social venture fund, focused on Ethiopian coffee farmers:
...the Abyssinian Fund would not function as a traditional charity, as the farmers would share the responsibility for the project’s success.“We are going to try to the best of our ability to provide the highest level of training and the most necessary equipment that the farmers need,” he said. “But it will be the farmers’ responsibility to reinvest. Reinvestment is going to be critical.” Instead of providing financial aid or food to the farmers, the Abyssinian Fund will hire coffee experts who are specialists in the processing and quality standards of companies like Starbucks that are the chief buyers of Ethiopia’s beans. Substandard processing has vexed the farmers’ efforts to command higher prices. The trainers will also teach planting and harvesting techniques that help farmers grow and select only the choicest coffee beans, and the fund will provide equipment like scissors, shears and mechanized pickers to ensure that the beans are properly harvested. Many of these farmers still harvest their crops with their bare hands, Mr. Richards said. Mr. Richards said the goal was for the farmers to double their income in five years. Helping to improve the livelihoods of the 700 farmers in the co-op, he said, could result in better conditions for as many as 3,000 people.The fund has had to tread delicately in Ethiopia, where the government has been skeptical of the motives of some foreign aid groups (more)
The idea of social business/ entrepreneurship continues to catch on.

Monday, July 26, 2010

Ghana/ United States: "Official Thuggery," Cont'd

Remember the Wall Street Journal article calling the Ghanaian government intervention in the ExxonMobil buy out of U.S-local oil entity Kosmos-EO, "official thuggery"? Africa Confidential breaks it all down:
After that, [the U.S. Department of Justice] launched a nine-month investigation into Kosmos and EO operations. This June, the DOJ told both companies it had completed investigations and would not pursue a prosecution. However, Mould- Iddrissu says she has enough evidence to prosecute EO....Under pressure from both detractors and promoters of the ExxonMobil deal, Mills has formed a committee to examine the options and report back within the month. Some insiders claim that setting up the committee is a tactical defeat for GNPC but others say Mills wants to spread the blame for the final decision by taking the widest possible soundings. Whatever he decides, he will face organised opposition. If he approves the Kosmos-EO sale, his own NDC supporters will slam him for rubber-stamping a Kufuor-era deal which might hugely benefit his political opponents. Yet if Mills rejects the deal, he will face opprobrium from the NPP and many business people, who were hoping for substantial commercial gains if ExxonMobil comes to Ghana. Mills and his government would have to be convinced that any alternative strategy to the Kosmos-ExxonMobil sale would generate more revenue and contribute more effectively to the integrated oil and gas industry the government wants. In turn, this pressures the committee to produce a convincing conclusion and strategy to break the impasse.

BBC Network Africa's Bola Mosuro spoke to Nana Asafu Adjaye about the Exxon-Mobil Kosmos-EO deal:

Africa/ Latin America: Performing Hierarchy

Still on the issue of African women working as maids in Europe and the Middle East.

With the recent Lebanon sporting club expose --or scandal of a Kenyan maid getting thrown out of a 3rd floor window in Saudi Arabia earlier this year--in mind, the art project and exhibit below by French-U.S. photographer Justine Graham and Colombian visual artist Ruby Rumié, which got written up in IPS last month, caught my eye. Stripping maids and their employers of the accoutrements of their social status, the artists leave you at the mercy of your own cultural codes in deciphering from the pictures just who is the maid. More pics - here (PDF). Graham & Rumié explain:
We were both interested in the issue of domestic employment in the Latin American context, and over time we created this platform to show the points that these women have in common as they share the domestic environment in a hierarchical work relationship... For the photos the employers and maids wore the same thing: a white shirt and no jewelery or decoration. With the images made under these "equalising" conditions, the artists leave it up to the viewer to guess -- using one's own cultural codes -- which woman is which.... Each pair had a different relationship; some were much closer, lasting 30 years or more, and others knew each other just three or four months," said Graham. But for all of the pairs, it was difficult to be photographed looking each other in the eyes, she said





I recall in Ousmane Sembene's La Noire de... (1966), Mbissine Diop plays a girl from Senegal asked to come to France to work as a maid. However, on getting to Paris and finding out all she was going be was a  maid, she still went about her duties as a maid but refused to dress like one.


Her employer, of course, takes offense and she is soon returned to Senegal. All that to say, that even though hierarchies or class differences are social facts, they, like gender roles, come with scripts that still need to be performed.

H/T: sociological images

Africa/ Lebanon: "No Black Maids Allowed"

 Ethiopian Suicides blog claims thousands of Lebanese got to see on MTV Lebanon, a few weeks back, a special report featuring the IndyACT video footage below, which features members of an anti-racism movement and a lady from Madagascar, introduced as their maid, refused entry into a sporting club - on prime time TV.



Excerpt from the IndyACT press release:
After conducting several field researches and verifying the rules and procedures of the resorts, activists went to the resorts identified as the most racist accompanied by an activist of the Madagascari citizenship. The woman was denied entry by the administration of the resort and no valid reasons were provided. "We have monitored more than 15 resorts that follow the same traditions and practices of racism against non-whites in Lebanon, reminiscent of the era of apartheid in South Africa, blatant racism in the United States," said the campaign's spokesperson at IndyACT, Aimee Razanjay. "The action today is the beginning of a series similar actions to monitor and document such practices and to inform the Lebanese society of the extent of their contribution to perpetuating the racist system in Lebanon," added Aimee.
Egyptian Chronicles asks if the black lady would have been treated differently if she were, say, Naomi Campbell. A commenter at Ethiopian Suicides recounts a similar tale, this time on a Lebanon beach, involving a lifeguard.

Egypt: Summer Box Office 2010



Above, AFP offers a quick glimpse at Egypt's film going culture versus an early Ramadan this year. Below, an article from Al-Shorfa underlines an especially competitive summer for distributors:
Fifteen films opened in Egyptian cinemas, including four last week: "Nour Eini," "Tilka Al-Ayam," "Asafir Al-Jana" and "Heliopolis." Production companies face limited time constraints this season. Films have less than 60 days to earn revenue—the period between the end of the year exams at universities and high school and the beginning of the month of Ramadan, which starts at the beginning of August.

Trailer for Heliopolis below:

Somalia: Museveni's Crazy Gettysburg Address

Crazy, but rhetorically brilliant.
It is, therefore, sacrilege for anybody to fire at, let alone assault, an AU Force on a capacity building mission in Africa. Who are these who dare to fire at an AU Force? They can only be agents of external, non-African forces trying to impose a new colonialism on Africa. We defeated European colonialism and we are going to defeat this new form of colonialism. The Somalis are part of the ancient African peoples, such as the ancient Egyptians - the ones that built the Pyramids. They are a Cushitic people - part of Nilo-Saharan group of languages. Some of their words are even to be found in the Bantu dialects. Africans believe
in a philosophy of live and let live. They never try to impose anything on anybody if they are really acting in the African traditions. There are many symbiotic groups in Africa, living side by side. Some of the groups from outside Africa talk of "haram" - abominable items. They do not know (and they do not bother to find out) that among the indigenous African people, there are even longer lists of haram (ebihagaro). In part of my community, for instance, we do not eat pork, chicken, sheep, fish etc. Many of our neighbouring communities, however, eat many of these foods, especially fish. The Banyankore, for instance, would not eat chicken. They would keep the chicken only for divination (kuraguza). A Munyankore, therefore, would be happy to surrender one of his chicken to a visiting Muganda or Mukooki. That is how the Africans lived. Even today, you can see the sort of freedom we enjoy - trans-night dances etc. I am a tee-totaller, but I further most vigorously the interests of our drunkards by exceeding all previous records of beer production. Africans, therefore, reject chauvinism. We want freedom.
Lol. Pre-July 11, I thought al-Shabaab sooner than later would end up threatening business interests in the EAC, hence, kicking EASBRIG into high gear. Post-July 11 though, they are now everyone's problem and Ugandan president Yoweri Museveni's speech at the AU summit in Kampala doesn't just want to show other African leaders the al-Shabaab middle finger that's grown out from the horn of the continent and pointed the AU's way for a while now, but the crazy speech about pork, giving away chickens, and his lack of time to even research thoroughly what ails Somalia, is also rhetorically brilliant. With all its comedy and disdain for Shabaab, it still manages to set up Africa and Africans as non-imposers of ideology by nature and, on the other hand, al Shabaab as the "other," alien and impostor in Africa and also the C-word -- "colonizer." A steeper rhetorical climb for al-Shabaab? Their spokesperson, according to The Citizen, is also trying to spin this faster than Museveni can:
He added that the AU had worsened the situation by endorsing what he said was Ethiopia's occupation of Somalia, and accused the continental body of presiding over the "massacre" of innocent Somalis by Ethiopia and later Ugandan and Burundian troops operating under the auspices of the African Union Mission in Somalia (Amisom). "Amisom peacekeepers are shelling the Somali people day and night," said Sheikh Bilal adding: "They are acting with the express approval of the African Union." He said AU leaders should draw lessons from the deadly blasts that rocked Kampala a fortnight ago... "This is an American project, implemented through the AU," Sheikh Bilal said. "Our reaction will make people in other African capitals cry like those in Kampala."
The conceit is simple. Shabaab wants to paint the AU as Ethiopia. Like the American sponsored Ethiopian invasion of Somalia, it wants that equation fueled by the perception of the AU as a U.S-occupying force by proxy. But in the wake of the Ugandan bombing and with the Somali diaspora in East Africa feeling the heat of growing discrimination, will potential  recruits really buy Shabaab's stretched algebra? Also, it behooves al-Shabaab to take a second to realize they are not threatening just Somalia's neighbors; they are sorta threatening the face or body the entire continent presents to the world. Last time the AU felt its legitimacy threatened in the Comoros, it struck back - hard. All that said, I'm sure everyone is breathing a sigh of relief that you-know-who isn't the head of the AU at this crucial time.

Benin/ Russia: Африканский Councilman

Sergey Ponomarev / AP

Kristina Narizhnaya's AP story about Novozavidovo's black councilman and the first black person elected to office in Russia, johnny-blazed the "internets" and picked up by every major paper. More pics of Jean Gregoire Sagbo. You could argue Joachim (here & here) from Guinea-Bissua paved the way.

Friday, July 23, 2010

Africa: Facebook's African Users



Jumping off facebook's announcement on Wednesday that the social network now has 500 million friends users, Ben Lorica, over at O'Reilly Radar, chews the numbers into graphs in an attempt to show where facebook's half a billion users reside. He surmises:
Africa is the other fast-growth region and I'm expecting the region's share of active Facebook users to rise sharply over the next year.
To which a commenter adds:
Africa will certainly continue to be a growing segment. I was chatting on Facebook with a friend from Kenya and he said that wireless Internet access and cell phone coverage is generally more available than electricity. Keeping your devices charged seems to be more of an issue than access, especially in remote villages...
(click to enlarge):

Plus a list of countries where facebook grew fastest in the last 12 weeks, counting back from July 21 that is:


And with the 7,200 km Main One submarine cable (Capacity: a whopping 1.93 Tbps)...



...spanning from Seixal, Portugal, with landing stations in Ghana and Nigeria; branching units in Morocco, Canary Islands, Senegal, Cote d'Ivoire, touching down a few days ago in Nigeria, look for West Africa's numbers to jump:

Africa: Humanitarian Design Imperialism?

This blog has been covering the idea-- and examples--of humanitarian design. Over at the Design blog, Bruce Nussbaum wonders if all the humanitarian designs by the developed world with the less developed world in mind, amounts to a new imperialism:
So where are we with humanitarian design? I know almost all of my Gen Y students want to do it because their value system is into doing good globally. Young designers in consultancies and corporations want to do humanitarian design for the same reason. But should we take a moment now that the movement is gathering speed to ask whether or not American and European designers are collaborating with the right partners, learning from the best local people, and being as sensitive as they might to the colonial legacies of the countries they want to do good in. Do designers need to better see themselves through the eyes of the local professional and business classes who believe their countries are rising as the U.S. and Europe fall and wonder who, in the end, has the right answers? Might Indian, Brazilian and African designers have important design lessons to teach Western designers? And finally, one last question: why are we only doing humanitarian design in Asia and Africa and not Native American reservations or rural areas, where standards of education, water and health match the very worst overseas?
Looks like the folks behind Ghana Think Tank saw this coming.

Friday



The future of the magazine? It packages what your social networks share and filter your way. Gawker flips:
Flipboard mines your Twitter and Facebook friends for interesting articles and videos to show in a swipe-friendly magazine format. It also takes mundane status updates from your friends and turns them almost into magazine articles, with blown-up pictures (where possible) and headlines... what's intriguing about Flipboard is the message implicit in the product: News today is more and more about sharing and less and less about broadcasting, and even a device as inventive and popular as the iPad isn't going to reverse that trend.
And if this becomes the preferred approach to laying out content for the Ipad, then it's easy to project a magazine future where everyone is reading a form of blog or writing for one.

Uganda/Somalia: The Kampala Summit



Usually no one cares for an AU summit. But thanks to al shabaab's recent deadly foray into Uganda, all eyes are on Kampala. A few days ago, NYT speculated on the safety of thousands of Somalis in Uganda after the July 11 bombing:
The World Cup was supposed to be a celebration for Somalis, too, as one of the tournament’s official songs was performed by a popular Somali-born rapper, K’Naan, making him a hero to many young Somali men. But then, in the second half of the final game, three explosions ripped through two popular sites where fans were watching. The Shabab claimed responsibility a day later, and for Uganda’s Somali community, a new reality was soon ushered in. The police stopped registering new refugees immediately after the attacks. The process has since reopened with new regulations and there has been a surge in registrations, but community leaders said they believed that there were many who were too timid to come forward. more

Nigeria: Discreet Charm of a Highly Educated Bourgeoisie, Cont'd

The American national census bureau once reported that:
...44% of Africans living in the US have a college degree, compared to 23% of the US population, making them the community with the highest rate of academic achievement in the States.
This earlier post already scrutinized the  above fact, and, below, TVAfrica's cameras follow a member of this "self selecting group":

Friday



For film geeks, this 26 minute short film, Meetin’ WA (1986), might as well be a shard of the holy grail. Godard sits across from Woody Allen and they talk - cinema.

H/T: Open Culture

South Africa: How the Makarapa Came to Be?



Alcohol plays a muse.

North Africa/ France: Outsourcing Blues

French dailies are all over Laurent Wauquiez, the Secretary of State for Employment, faced with escalating unemployment figures particularly among young people under 25 years (+0.8% in May 2010) and attempting to recover jobs wherever he can. Call centers are in this sense a gold mine and unions estimate 25,000 such jobs have been lost to "offshoring" as French companies relocate to Maghreb countries like Morocco, Tunisia and Senegal.

However, Moroccans in the France 24 report below think this stemming the flow of outsourcing has more to do with the drop in Sarkozy's polling numbers:



But then AFP reports estimates that:
...an employee of a call center in Morocco is paid between 400 and 450 euros a month against a minimum of 1.320 euros gross in France (including bonuses and 13th month).
With that kind of wage disparity, France is fighting the forces of capitalist nature. Regulating such huge gaps simply creates black markets and deviant economies.

Cote d'Ivoire: Drogba's MDGs

 ...bet some ad person saw "millennium development Goals" and thought:



H/T: Inspiration Room

Cameroon: Flying Breasts Below the Radar

Huff po posted Nina Garthwaite's report for current on "breast ironing" in Cameroon.



The twisted logic that disfiguring their daughters early, so they might fly under the radar of interest from men, hence, avoid contacting HIV-Aids or exacerbating an already dire situation by bringing home another mouth to feed, speaks more to parents so out of their depth in the face of modernity and what they perceive to be new "threats," that their utter emasculation ensures the worst of tradition has the neck of the present in a sleeper hold. However, there was a legal bit missing from Gaithwaite's TV report, which the BBC tacked on to the end of their '06 report:
The victims do have protection under the law, as long as the matter is reported within a few months, lawyer Buba Ndefiembu says. If a medical doctor determines that damage has been caused to the breasts, then the person responsible can go to jail for up to three years. This does not always deter mothers who see their daughters hitting puberty earlier and earlier thanks to better living standards.

Nigeria: Potent are the Peacekeepers

Headline of the week: "Nigerian Soldiers Father 250,000 Children in Liberia."

Wednesday, July 21, 2010

Egypt/Madagascar: Children



Two similar reports from AFP and CNN look at the plight and efforts to nurture children from poor backgrounds in African countries far apart, geographically, as Egypt and Madagascar.

Africa/Malta: Joe Sacco on African Immigration - Can You Sketch Journalism, Cont'd

For those who ever wondered how the emerging practice and style of "comics journalism" might tackle African issues and representation, author of Palestine, Safe Area Gorzade and Footnotes from Gaza, Joe Sacco, gives us a glimpse. Below are pgs from his behind the scenes look at African immigration and immigrants in his homeland of Malta, published in the 2010 winter issue of VQR and recently by The Guardian:



There is a very thin line--perhaps none at all--between what I was going on about here in terms of what sketchs or drawings can do journalistically (versus what photographs can't) and the kind of "comics journalism" from the likes of Joe Sacco about the Eastern bloc and the Middle East (blogged here), Dan Archer about Honduras, Ted Rall about Afghanistan and so on. But this quote on Sacco's work from pulitzer winning Maus' author, Art Spiegelman, touches on another reason why this kind of journalism packs a whole new resonance in the digital age:
In a world where Photoshop has outed the photograph to be a liar, one can now allow artists to return to their original function — as reporters.

H/T: The Arabist

Africa: "How to Write About Africa" - The Making


Binyavanga Wainaina on tuskers, mental blocks and his famous email:
...I spent a few hours one night at my graduate student flat in Norwich, England, writing to the editor of Granta. I was responding to its “Africa” issue, which was populated by every literary bogeyman that any African has ever known, a sort of “Greatest Hits of Hearts of Fuckedness.” It wasn’t the grimness that got to me, it was the stupidity. There was nothing new, no insight, but lots of “reportage” — Oh, gosh, wow, look, golly ooo — as if Africa and Africans were not part of the conversation, were not indeed living in England across the road from the Granta office. No, we were “over there,” where brave people in khaki could come and bear witness. Fuck that. So I wrote a long — truly long — rambling email to the editor. To my surprise, Granta wrote back right away. The editor, Ian Jack, disavowed the “Africa” issue — that was before his time, he said. A year or so later, another Granta editor called. They were doing a new “Africa” issue, and they wanted my perspective. Sure, sure, I said. And then forgot. And then remembered, felt guilty, felt the weight of a continent on my back. I was blocked and more blocked. I drank a Tusker. Finally I wrote something about Bob Geldof. It was shit, said the editor — not his words, but he meant to say that, and he was right. So I went back to work. The deadline came. The deadline went. I was busy working on a short story, busy working on my novel. A cold Tusker. The new Kwani. The beach, in Lamu. The editor called with an idea — why don’t we publish your long crazy email? An extract, that is. Sure, I said, absentmindedly. He sent me a draft. Phew, I thought, absentmindedly. Cut, paste, cut, paste. A few flourishes here or there. Send. It took an hour. The issue came out, my article went online. It became the mostforwarded story in Granta history. I started hearing from friends, from strangers; started getting my own words forwarded to me with a cheerful heading, as something I might be interested in, as though I hadn’t written it. I went viral; I became spam.

South Africa: Casting Winnie, Cont'd


THR just released a still of Jennifer Hudson as Winnie Madikizela-Mandela and Terrence Howard as Madiba in Darrell Roodt's up coming bio pic of Winnie. The S&A crew did a comparison test.

Hudson's casting I get. Howard's? Not so much. Howard's emoting style is so not Madiba. Oh. well... More in the "casting Winnie" archives.

Angola: This Revolution Will Be Embedded

"Algeria," New video from the Batida crew of Lisbon based DJ Impula and Radio Fazuma from their Dance Mwangolê LP.



Appears "alegria" means “joy” and video features scenes from the Luanda carnival.

H/T: audioporn

Ethiopia/United States: Onioned - African Boyfriend Adoptions

With Angelina Jolie's face everywhere of late, the Onion picks on America's most famous ex-girlfriend and "her quest to abduct adopt a boyfriend from Ethiopia":



lol

South Africa: This Revolution Will Be Embedded



Made No More by Tumi and the Volume at the Festival Rio Loco, June 20, 2010. Album: Pick a Dream. Sakifo records. Personnel: Tumi Molekane, David Bergman (bass), Paulo Chibanga (drums), Tiago Paulo (guitar).

DRC: Blessed are the Peacekeepers, Cont'd

One hardly gets to see what the MONUC peace keepers do in the Congo. Over at Global Post, Tim Freccia's scenes from Ishunga, Congo:



Recently, there's been some talk (here & here) about taking a realistic look at UN peace keeping and adjusting expectations.

Nigeria: Blonde, Blue Eyed Igbo Girl



The internet was introduced to Nmachi yesterday morning. This extra bit from the Mail Online can't be helped:
Mr Ihegboro said the couple's son was even more confused than them. He added: 'Our boy keeps coming to look at his sister and sits down looking puzzled.' We are a black family. Suddenly he has a white sister.

Monday, July 19, 2010

Eritrea: Italian Influence on Asmara - Photography of Jean Robert

Get a load of photographer Jean Robert's amazing pics of the Eritean capital city as an Italian architectural time capsule (hover your cursor over pictures 4 captions):

"
Asmara, frozen city. Eritrea - Images by Jean Robert

From Robert's intro:
For many travelers it's a big surprise to discover a slick city crammed with architectural gems, a showcase of the Art Deco, cubist,expressionist,functionalist, futurist and neoclassical architectural styles. Mussolini and his fascist government who aimed to annex the neighboring country of Ethiopia developed Asmara between 1934 and 1940, expending enormous funds. The city, which is situated at an altitude of 2400 m, even called itself "Piccola Roma". The most developed city of the continent emerged as a result of large scale urban planning and the latest
architectonic inventions built by talented young Italian architects. The Italian population was increased from 4000 to 70 000 at this period and the native population doubled to 200 000. Isolated for nearly 30 years during its war against Ethiopia; Asmara escaped both the trend to build postcolonial piles and the push towards developing world urbanisation. Today Asmara remains a model Art deco town. Since 2005, an official application for status as part of the Unesco World cultural heritage programme has been under assessment.
Below, I couldn't resist rehashing this old post of MIT student John Ellis taking us behind the scenes of the sheer scale of Italian urban planning carried out in Asmara in the 1930s:

South Africa: 2010 British Open Champion is ....

ESPN's funny compilation of the attempts at getting the name of South Africa's new British Open champion right:

DRC/ Norway: Soukous Nordic Rump Shakers - Nice Appropriations



You may be tempted to laugh at these Nordic soukous girls shaking what their European mamas gave them. But keep watching -- these girls aren't kidding around. Those who study all forms of cultural appropriation or co-optation should have a field day with this one.

This reminds me of the amazing all white Zeta Tau Alpha sorority girls of the University of Arkansas, who originally won the Sprite Step-Off competition earlier this year, and the backlash that followed being that "Stepping" is predominantly an African American cultural pastime.



H/T: Idamawatu

South Africa/ China: Contrasting Contemporary Societies and Art Markets



According to CNN:
In South Africa the pool of people buying serious art is even smaller. Most are white businesspeople. The country's emerging black middle class and wealthy have not yet started buying South African contemporary art in the same way the newly monied classes snapped up art in China and India. Ross Douglas organizes the Johannesburg Art Fair. He told CNN, 'What we saw in China and India was that they suddenly got very rich and they started buying contemporary art at the same time the international art market started buying it. And one supported the other. 'In Africa there is very little local buying of contemporary art and that's why artists go abroad. But that will change, slowly.'
It is apparent South Africa, in terms of the push-pull tensions of  its post-Apartheid society and emerging middle class, occupies a unique nexus of culture and politics that's boon for artists and art consumption. Below, China Contemporary gallery owner, Ludovic Bois, explaining back in '06 how China's occupation of its own nexus of political and cultural tensions works as a catalyst to fuel its contemporary art scene:


It is very simple. You have a society [exemplified by] rapid consumerism and a system that's authoritarian. The 2 co-habit, mingle, co-exist in each other. The artist witness this and the art that they produce obviously is extremely powerful as a result, and it has never been done at such a magnitude and it will be never be done at such a magnitude again because there are no other Chinas.

Sudan/ Nigeria: "Canvases for a Woman's Personality"



Even more ways to rock the hijab. And still on fashion, Loomnie pointed out this recent CNN report on someone in the United States who has made bank and an artform out of tying the "gele" -- those "gravity-defying headwraps worn by Nigerian women":



More gele skentele skontolo...

Friday, July 16, 2010

DRC/ South Africa: "History of Congolese Comics" and One Anglophone Exception


African comics curator, historian and guru Christophe Cassiau Haurie's much awaited History of the Congolese Comics (i.e. "Congolese Bd" as in Band Dessines) published by Editions L'Harmattan (who else), hit shelves last week. Author's bio - here.

Also, Btw 10 and 5 posted a spread from the provocative Afrikaans comic, Coloureds , by the brothers, Andre and Nathan Trantraal, featuring the Hill children, Caitlin and Nigel. First volume appeared in March 2010 from Underdog Comics.


I've written on the Francophone countries' domination--via France--of the African comic book scene. However the one anglophone country that somehow taps into the French comic book culture and engine is South Africa. Christophe Cassiau Haurie in this '08 Africultures article explains how some of that Franco-Afrikaner connection has to do with SA's proximity to the Africa-French protectorate, Reunion, among other reasons:
This flow between France and South Africa can thus be explained by several reasons: firstly, it is obviously an absolutely necessary prelude, by a substantial pool of talent and the presence of dynamic and enterprising publishers of books and magazines. However the clinching factor has been the presence in the region of a French department endowed with a genuine comic books tradition has also played an important role as a link and a conveyor between the two countries and, finally, the European origin of most of the illustrators has enabled them, undoubtedly, to benefit from contacts with Europe. The South African success can also be explained by the existence of an autonomous graphical current, which is underground, satirical, violent and insolent, in step with post-apartheid society and the bearer of a genuine alternative discourse which is open to other exterior currents (more)
H/T: Thx Lorraine &  Jason Kibiswa

Ghana: "Coz Ov Moni" (A Pidgin Musical) - London Premier


This has been sitting in the inbox and it's pretty cool - another musical in the same urban vein as Gaye Dayana'a Saint Louis Blues (2009) or even Mark Dornford-May's U-Carmen eKhayelitsha (2005). Shot in Ghana, Coz ov Moni ('cause of money) by the Ghanaian duo, Fokin Boyz, is all done in rhyme and pidgin English. Synopsis - here. UK Premier: Thurs, July 22nd, Ritzy Brixton.



 The brains behind this mayhem explain below:

Nigeria: Ribadu 4 President?

Recently The Economist wrote of corruption hunter Nuhu Ribadu - "prodigal policeman returns." Over at Sahara Reporters Chido Onumah weighs the idea of Ribadu running for president in the fast approaching 2011 elections:
Of course, in a democracy, the majority are permitted the right to their fantasy. The belief that this is our candidate and the shared responsibility of propelling him to victory is the reason for this almost cult followership. Unfortunately, there is no experience to learn from. Abiola didn’t make it. Perhaps, Ribadu would, and it is for Nigerians – those who will make his presidency possible -- to hold him accountable every minute of his time in office. There are those who may argue that Ribadu has little or no political experience. I counter that by saying it is the least of our problems as a nation. We are living in exceptional circumstances and the ability to confront the challenges we face has nothing to do with having decades of experience in our brand of politics. Some people have also argued that it is too soon for Ribadu to run for president. I say now is the time. By 2015, he will be 55 years, and considerably young. But then his appeal will not be anything close to what it is now. There certainly will be new faces, and perhaps new icons. If he loses, it can only make him a stronger candidate in 2015. (more)
On the Ribadu-MKO comparisons. I'm amused by the thought that if MKO were alive, Ribadu would probably try to investigate him as well.

H/T: nairobinotes

Friday



Couldn't help it. Just had to stash this here.

South Africa: This Revolution Will Be Embedded




Love is the Simple Truth performed by Tutu Puoane at '09 Brosella festival, Belgium. Personnel: Gurout Pierreux (keys), Guus Bakker (bass) and Lieven Venken (drums).

Nancy Wilson with a pinch of Sarah Vaughan - shaken, not stirred.

Africa: Adopting an African Child Run Amuck

Another white parents adopting an African baby skit I haven't seen. Anthony Anderson kills in this one.



Nigeria: Nneka on the Immigrant's "Inferiority Complex"...

... and its power.

Somaliland: Ignoring Hargeisa

This Economist intro 101 on Somaliland is worth the watch:


Adan Abokor:
It is time for the international community to know that Somaliland cannot wait any longer. It is amazing [that they chose] to support a government in South Somalia, in Mogadishu, which doesn't rule more than 2 or 3 streets in Mogadishu. And ignore completely a country like Somaliland where the administration is responsible for the whole of Somaliland.

Friday



Above, Richard Florida, director of The Martin Prosperity Institute, University of Toronto’s Rotman School of Management, talks about the world in 2050 and future urban agglomerations that will dwarf all we've seen so far. And speaking of all we've seen so far, check out the reverse time lapse below, part of the Mammoths and Mastadons exhibit at The Field Museum in Chicago. The time lapse visually unwinds a patch of urban real estate through the last 20,000 years:



by Greg Mercer and Emily Ward and David Quednau

Wednesday, July 14, 2010

Africa: Nicholas Kristof and the Psychology of Getting People to Care (and Give)

Responding to Texas in Africa's question about why his New York Times' "columns about Africa almost always feature black Africans as victims, and white foreigners as their saviors," Nicholas Kristof replies (Africa is a Country has the video) that the American audience he writes for will respond to his stories about Africa's needy if they featured a white protagonist.

TiA thinks Krystof excuses "stereotyping in the name of awareness, while assuming that Americans are too parochial to be able to recognize, relate to, and applaud the work of people whose names sound different from [theirs]." I guess that's one way to look at it .

But I wonder if a story about some crisis in America would hold any interest for, let's say, Congolese readers, for example. How fast will they skim and turn the page? I now wonder how many of them will give the page or story a second glance if it featured some Congolese in the States helping the Americans out. Will the Congolese humanitarian protagonist in America--or the rare fact that there is one--prompt them to identify with the crisis more? Without some surveys on these audiences it's difficult to put hard numbers on any of this, but my gut tells me Kristof  is right, and disgustingly so, about how human beings--not just Americans--decide on, some time saving level, what to give their attention to. If that is the case, why then hold Americans (or any citizens for that matter of a country whose politics and trillion dollar economy affects everyone on the planet in one way or another) to any higher standards when it comes to how they, like all other human beings with a million or so things vying for their attention, go about deciding, from a quick glance and a headline, what news stories to identify with?

But TiA is right that Kristof could do better; and I agree, because having an American protagonist or "bridge character," though an extremely effective way to invoke identification from the average American audience, is by no means the only or most effective way of capturing their attention or getting them to act. Check out (below) Duke University professor of psy and behavioral economics Dan Ariely's Big Think take on the irrational psychology behind how people give:



Basically Ariely is saying people relate less to statistics about how many are dying or how miserable you can paint the African situation. Rather they identify more on an emotional level with the personal story of an "individual" -- not a "victim." Notice Ariely says nor hints nothing about the need for a white/American protagonist or so called "bridge character" which Kristof feels is so important. Kristof does write personal stories, however, listening to Ariely you get the feeling Kristof needs to dump the whole "empathy with American/white savior" framework and rather find ways to turn the African "victims" he likes to write about back into the "individuals" they really are -- by that I mean the kind of writing that reveals them as living, breathing, alcohol swirling, problem solving, pizza eating, fucking, sexual, shiting, loving, complex "individuals." Just like his readers. Then he needs to explain how these "individuals" have fallen through cracks of the global economy in worse ways than his readers, how they are now facing the worst odds imaginable and how they need help to get back on their feet and on with their lives.

Like Selinah and the Topsy Foundation illustrate below in the an ad that recently won gold at the Cannes Lions Awards, you don't need to show her off as "the white man's burden" in order to get us to care:

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