Tuesday, March 29, 2011

Egypt: Egyptian Cinephiles and Film Bloggers



This report from Al masry al youm English looks at a new generation of Egyptians watching their movies over the web. It's also a rare conversation with a couple of Egyptian cinephiles/film bloggers about cinema and subtitling films to Arabic.

A brief clip in there of Bjork from von Tier's Dancer in the Dark in Arabic made us smile.   

Sudan: Dafuri Boy and Vuitton Tote

Darfurnica, Nadia Plesner, 2010
According to Eyeteeth:
Dutch artist Nadia Plesner got in hot water with Louis Vuitton in 2008 for depicting an African child with one of its high-end bags on one arm and a chihuahua in the other (below) as part of her campaign urging divestment from Sudan over the conflict in Darfur. Now the company is suing her again: this time, the luxury goods company has filed a copyright infringement suit at The Hague that will penalize her 5,000 Euros for each day a likeness of its Audra bag in her painting Darfurnica remains on her website. more + update.
2008

Maybe the boy and his LVMH bag inspired those Cordaid print ads.

DRC: The Revolution will be Embedded

Recent videos from the DRC diaspora. Swiss-Congolese SidyNamik and Stefy Rika with Nina Miskina via Brussels.


L’Afrique est mon âme - Stefy Rika and Nina Miskina. Prod. Skinfama / RMCA. Dir. NorthSiderz, 2011


J’aurais pu naître - SidyNamik. feat. En?gma & Ad'Haine Prod. R.A.P..
Prod. AD1 Beats. dir. Marcus Gram, March 2011.

H/T: Africa is a Country

South Africa/ Tanzania: Cinephile Kids



SA film director Teboho Mahlatsi [Portrait of a Young Man Drowning, Ghetto Diaries, Yizo Yizo (demo reel)] in his TED talk spoke about his childhood and acquiring a love for cinema. He mentions how he and his friends, because they couldn't all afford tickets, tallied their money together and elected one person to see the movie, who then returned and narrated it to everyone else. Reminds you of anyone?

South Africa: Playboy Arrives on the Continent...

... and goes for brand torpor:


Tracy of course is 100% African and rocks the cover, however a commenter over at Mimi nails it:
...there is nothing here that distinguishes this cover; what a wasted opportunity to do something interesting.


South Africa: Korine and the Antwoord



Indy director Harmony Korine + Die Antwoord = Umshini Wam.  Perfect collision of two kinds of white rural angst. Plus Ninja and Yolandi as trigger happy, homicidal rabbits pay hommage to all those bunny ears in Gummo:


H/T:myWeku

Nigeria: The Revolution will be Embedded

Two awesome Yoruba themed music videos dropped in the last few days:



Ijo (Dance) - Siji. feat appearances by Ade Bantu, Yinka Davis, and Tintin ‘The Koolness.’ Label: Sole Channel Records, 2011.




If You Ask Me (Na Who I Go Ask) - Omawumi. Prod. Cobhams Asuquo. dir. Clarence Peters. 2011.

H/T: Bella Naija, This is Africa

Egypt: Post-Revolution Soccer Fans

Defending champs, the Pharoahs of Egypt, lost a qualifier match to Bafana Bafana last weekend by a late goal.



Global Voices' Mohammed El Gohary surveys the effects of the revolution on soccermania in Egypt.

Post-revolution, it's fun to look back now at Egypt's soccermania - everything from magic goats to Hassan Sheheta's peculiar team selection, the rivalry in Algiers, that Antai Yahir goal...

UPDATE:  April 02, 2011 - Kenya’s Sofapaka FC beat Ismaili of Egypt 4-0 in a Confederation Cup match at the Nyayo National Stadium, breaking a long jinx according to this Nation report.

Okay, this is getting weird.

Monday, March 28, 2011

Africa: Mormons in Uganda


The last occasion we recall South Park creators, Trey Parker and Matt Stone, took on Africa was the "Starvin Marvin" South Park episode way back in '97, where Cartman is mistaken for an African child and government authorities send him to Ethiopia. We are yet to see Trey Parker, Matt Stone, and Robert Lopez new Broadway musical, The Book of Mormon, which dumps two Mormon Odd couple-like missionaries in Uganda (one of them was hoping to end up in Orlando) to spread the word of God and Joseph Smith. 



Broadway.com has more videos here. Below, NY Times Ben Brantley shows more pics and picks out the musical's references to other musicals:



John Lahr's review in the New Yorker goes further than others in painting for us the depiction of Uganda and Ugandans along with a reminder of Joseph Smith's original take on blackness:
The great joke of the musical is to have the hapless Elder Cunningham reinvent the Mormon story for beleaguered Ugandans, who have so far resisted conversion. At one Bible class, a disgruntled tribesman named Mutumbo (John Eric Parker) denounces the story as irrelevant to his life and makes for the exit, loudly announcing his plan to go and rape a baby to cure his AIDS. Elder Cunningham stops him with a fabulous piece of narrative improvisation, a combination of “Star Wars,” “The Hobbit,” and “Star Trek.” “People back then had even worse AIDS,” he says, winging it. “Behold, the Lord said to Mormon Joseph Smith, ‘You shall not have sex with that infant.’ Lo, Joseph Smith said, ‘Why not, Lord?’ And thusly the Lord said, ‘If you lay with an infant you shall burn in the fiery pits of Mordor. A baby cannot cure your illness, Joseph Smith. I shall give unto you a frog,’ and thus Joseph Smith laid with the frog and his AIDS was no more.” When the newly minted African Mormons act out the drama of Joseph Smith for some Mormon leaders who come to award Elder Cunningham a medal for his successful field work, the musical is at its most hilarious:

MUTUMBO: My name is Joseph Smit’. I’m going to fuck this baby.
CHORUS: No, no, Joseph. Don’t fuck the baby.
MUTUMBO: Suddenly the clouds parted and Joseph Smit’ was visited by God.
GOD: Joseph Smit’, do not fuck a baby. I’ll get rid of your AIDS if you fuck this frog.

The first principle of “The Book of Mormon” is that faith is nice but doubt gets you an education. When parodying what Thorstein Veblen called our “fearsome and feverish credulity,” the writers are equal-opportunity employers. Elder Price has the Book of Mormon rammed up his keister by an African rebel called General Butt-Fucking Naked; the devout doofus, prohibited by his faith from imbibing caffeine, has a spooky Mormon “hell-dream,” in which he is pursued by gigantic cups of Starbucks coffee. “I believe that in 1978 God changed his mind about black people,” he sings in “I Believe,” an anthem of Mormon articles of faith. (Blacks, according to Mormon tradition, were the descendants of Cain, cursed by God for his sins. “Cain slew his brother,” Brigham Young, the second president of the Church, wrote. “And the Lord put a mark upon him, which is the flat nose and black skin.” Black men were not allowed to join the priesthood until 1978.
The Book of Mormon may not be South Park but it sounds (and works) like South Park. The creators seem to have thrown the absurdity of being a Mormon at Africa and hit Uganda, which is serving here as a one-stop destination for many of continent's extreme absurdities. In reconciling the continent's far flung extremes with those of the Mormons, of course hilarity ensues. The South Park touch we guess is not just the willingness to take on such extremes in the first place but to take them on an elevator to absurdity's next floor. Already, we spotted two. No doubt, the whole issue of "raping a baby" as a cure for AIDs is a twist on the insane mix of commerce and powerful witchdoctors telling HIV-infected men ready to believe anything to be cured, that raping virgins animals and the elderly can cure them of their infection. And no doubt the character "General Butt-Fucking Naked" refers to Joshua Milton Blahyi, who was said to jump into fire fights butt-naked and was notorious for leading his band of drugged-up child soldiers, “The Butt Naked Brigade,” during Liberia's 2nd civil war. A new documentary, The Redemption of General Butt-Naked, dir by Daniele Anastasion and Eric Strauss's recently screened and nabbed an award at Sundance. Michael Keating reviews the doc over at Free African Media

Libya: No-Fly Zone, Cont'd



The opening to president Paul Kagame's op-ed piece in Rwanda's New Times:
My country is still haunted by memories of the international community looking away. No country knows better than my own the costs of the international community failing to intervene to prevent a state killing its own people. In the course of 100 days in 1994, a million Rwandans were killed by government-backed "genocidaires" and the world did nothing to stop them. So it is encouraging that members of the international community appear to have learnt the lessons of that failure. Through UN Resolution 1973 we are seeing a committed intervention to halt the crisis that was unfolding in Libya.
Below Uganda's president Yoweri Museveni praised Gaddafi's independence and condemned his excesses, such as his meddling with Uganda's monarchs (blogged here)



This Afriknews piece by Stéphanie Plasse gets to the root of Gadaffi's black Tuareg fighters - and their loyalty:
In the 90’s, Tuaregs fleeing repression in Mali sought refuge in Libya. During the rebellion, Muammar Gaddafi served as mediator between the authorities in Mali and Niger on the one hand and the Tuareg rebels on the other. "He doled out large sums of money to the leaders of rebel movements. He helped them in order to secure his hegemonic position in the Sahara region," says Camille Lefebvre, a specialist historian on Niger. The result of Gaddafi’s support has enabled many Tuaregs to acquire Libyan nationality thereby allowing them to join the northern African country’s army. And according to Moussa Al Koni, the Libyan-Tuareg soldiers who number between 3000 and 4000 have been transferred from the traditaional base in the south to the north of the country where the protests are taking place. "Gaddafi formed the ’Maraoui’ division composed of Tuareg fighters. These (Tuareg foot soldiers) have been used in Chad and Lebanon where many of them lost their lives." (more)



We never thought we 'd see it, but those are Arab fighter jets (Qatar and UAE) flying over Libya. In the Guardian, Jason Burke looks at what it means to have Qatar funded Al Jazeera on ground and fighter jets in the air:
Then there is the key role played in the "Arab spring" by al-Jazeera, the satellite TV channel set up by the emir in 1996. Broadcasting from Doha, al-Jazeera is now the dominant Arabic-language news outlet in the region and increasingly recognised around the world. Al-Jazeera English is gaining fans...Al-Jazeera's role and Qatar's decision to send planes are both rooted in Qatar's size, its location on a spur of the Arabian peninsula and the emir's efforts to ensure his country's independence from much bigger neighbouring states such as Iran and Saudi Arabia.
If Al Jazeera reporters find themselves eporting on a Gadaffi compound bombed by a Qatari fighter, they should take some tips below from Jon Stewart and the Daily Show on how to handle all the full disclosures:


Africa: How Does the Continent Fare in Video Game Villiany?

According to Complex's infographic, when it comes to picking African states to feature as villains in war video games, it looks like the video game writers stick to FP's failed state index:


The folks over at GOOD magazine explain:
It's an interesting mix: two of Bush's "axis of evil" nations (only Iran is missing); countries with a history of Islamic terrorism (Indonesia and Afghanistan) or drug cartels (Mexico and Colombia); failed states (Somalia and Chad); and the BRIC economies—Brazil, Russia, India, and China—whose growing influence in world trade is obviously a threat to U.S. and European dominance. (more)
Check out real footage from a Dutch marine's helmet camera as he takes down some Somali pirates - the whole thing already plays out like a first person shooter. If you add zombie villains to the mix, then South Africa also makes the cut. 

South Africa/ Nigeria: Rosie the Plumber and Mechanic



Two CNN recent looks at African women taking on jobs usually associate with men.



And for those who have always associated the American woman riveter during World War 2 to the woman in the "We Can do It" poster of Rosie the Riveter or the woman in the Norman Rockwell cover, look again. Among the only color photographs in the Library of Congress archives taken of the effects of the Depression on America’s rural and small town populations is the picture below:


Scroll to picture 66 for the caption.

South Africa: Post-Bang Bang Club, Cont'd



Another trailer for The Bang Bang Club.

A look at the Times photographers that made up the Bang Bang Club and Times photography in the post-Bang Bang years - here

H/T: myWeku

Benin/Nigeria: The Revolution will be Embedded

Vintage West African funk...



Strut Records' preview for volume 3 compilation of more high life, juju and funk for another addition to its Nigeria 70s series + preview for Benin's Orchestre Poly-Rythmo new album, Cotonou Club. Both out this spring 2011:

Africa/Netherlands: Zam


2010 Diageo Africa business reporting award winner, Africa Interactive's Peter Vlam, sent along a new effort he's involved in:




Friday


.

Two amazing ads about water. Solidarités Int/BDDP 2011 ad for water day is about the scourge of undrinkable water. The ad for Thailand's TMB bank is a short film/true story of a 1986 football team from a floating village, who did not just overcome water but gained strength from it:


H/T: DD

Friday



Over at Wired, Jonah Lehrer breaks down a paper titled "Deliberate Practice Spells Success: Why Grittier Competitors Triumph at the National Spelling Bee". He concludes, for the most part, talent is perspiration:
In recent years, however, the pendulum has shifted. It turns out that the intrinsic nature of talent is overrated – our genes don’t confer specific gifts. (There is, for instance, no PGA gene.) This has led many researchers, such as K. Anders Ericsson, to argue that talent is really about deliberate practice, about putting in those 10,000 hours of intense training (plus or minus a few thousand hours). Beethoven wasn’t born Beethoven – he had to work damn hard to become Beethoven. As Ericsson wrote in his influential review article “The Role of Deliberate Practice in the Acquisition of Expert Performance”: “The differences between expert performers and normal adults are not immutable, that is, due to genetically prescribed talent. Instead, these differences reflect a life-long period of deliberate effort to improve performance.” That’s interesting, right? Talent is about practice. Talent takes effort. Talent requires a good coach. But these answers only raise more questions. What, for instance, allows someone to practice for so long? Why are some people so much better at deliberate practice? If talent is about hard work, then what factors influence how hard we can work?
We are sure Nejat would agree.

H/T: DD

Wednesday, March 23, 2011

Africa: Modernizing Koranic Schools

The imperviousness of Koranic schools in Africa (Nigeria, Burkina Faso, Senegal...) to the modern world is well documented. Journeyman has a definitive look at Sudan's Koranic school system - here.

That's why Jim Yardley's NY Time's article about Ghulam Mohammed Vastanvi, a mullah who has created an interesting blend of Muslim, vocational and professional education in India with money solicited from Muslim businesses, caught our eye. It says he is a:
a bearded Muslim cleric, Mullah Ghulam Mohammed Vastanvi, who has spent the past decade bridging the divide between traditional and modern education for Muslims. From his main campuses here in Akkalkuwa, he has built a network of religious schools, hospitals and colleges with more than 150,000 students across the country, and earned a reputation among India’s Muslim clerics as a reformer. His success here led to his selection in January as vice chancellor, or rector, of India’s most prestigious and influential Islamic seminary, Darul Uloom, in the city of Deoband. Darul Uloom is known for its Orthodox rebukes of modernity, and the mullah is now in a struggle for its control.
The piece also explains how he acheived his modern blend of Muslim education. But our other find also ties into this and it's from neighboring Pakistan. Boing put up this video of Pakistani actress Veena Malik wiping the floor with some self righteous mullah who came on TV to accuse her of every sin in book for appearing on the Indian TV show Bigg Boss (the Indian version of Big Brother):


Sweet!

H/T: Boing

Libya: No-Fly Zone, Cont'd



Daily Show's Jon Stewart on "Operation Odyssey Dawn":
"Don't we already have two wars? You know wars aren't kids... Where you don't have to pay attention to the youngest one because the older two will take care of it."
...why would we want to add to the [deficit]. You know you can't simultaneously fire teachers and Tomahawk missiles.


Africa: Beauty (and Some Drama) Queens


Current Miss Ireland Emma Waldron and her Nigerian boyfriend Manners Oshafi have been given their own Brangelina-like portmanteau by friends - "Memmers." Daily Mail has the juicy details about the public backlash and internet campaign against this coupling.

Also, we had no idea Norway had so many black beauty queens. Black Women in Europe blog has been profiling them:



Miss Norway 2010 and Miss Universe contestant: Melinda Victoria Elvenes



Miss Earth Norway - Iman Kerigo: (more)

Congo-Brazaville: Mayday!


Breathtaking video of the Antonov that crashed right into Pointe-Noire on Monday, killing four Russian crew members, five passengers and 14 residents of the city. More here.

DRC/ France: Pour en finir avec Bérénice... and French


To explore the relationship between coloniser and colonised and the theory of whether the French language, which embodies a history the colonized did not partake in, creates an unassailable Otherness that's in fact killing the Congolese, dancer and choreographer Faustin Linyé-kula and his actors have adapted the quintessentially French classic, Berenice, by 17th century French playwright Racine. The play is about the Palestine queen, Bérénice, loved by Titus and then rejected by him so he could be emperor of Rome.

BBC talks to Faustin Linyekula about their adaptation - here.

This (google translated) excerpt from the play's page at Studio Kabako gets to the heart of the project:
At the heart of my argument is the notion of otherness, strangeness, weirdness from abroad ... The strangeness of this experience: staging Racine, the language of the seventeenth century in this house with a story that is not mine,... with actors whose job is to embody roles hitherto unknown... That of Berenice, Queen of Palestine rejected by Rome in the East because of the blood flowing through her veins. Or the story of an eviction ... For Berenice gave her blood for the new emperor. What makes her stranger? Why does one remain a stranger or not? Does it have to do with a common history, ...shared territory? Are we [Congolese] condemned by blood to a given story? From the beginning of this guild, I had the need to reduce Berenice on my territory, the Congo, Kisangani, where I may be finally be done with it! To dip this text into this confined space, with its own rules, its own logic, the reality of the Congo today? And observe how this reality can infiltrate, contaminate Berenice?
More here about the changes in use, influence and relevance of the French language and why the future of the language is now in Africa and among those for who it is not a mother-tongue but serves as a tool of empowered diversity.

Monday, March 21, 2011

Africa/United States: Power of Black Money

A reader sent in the infographic of the year?



KMBA would heart this. We recall Tambay over at S and A made some comments the other day about stats claiming "African-American buying power is said to be approaching $1 trillion annually"

More about the writer couple behind this and the book site NorthParan.com - here.

Libya: No-Fly Zone, Cont'd

You run into versions of this argument everywhere (i.e. here and here), making the case that since the allied forces (especially the United States) saw no reason to prevent current massacres  (e.g. the current civil war in Cote d'Ivoire) or past massacres (e.g. the '09 squashed protests in Iran), why aren't they sticking to the same policy of non-interference and staying the fuck out of Libya's Pandora box? Oil thumps cocoa? Some places aren't worth it? We think the comparisons between Libya and every other civil war, squashed uprisings or massacre in need of a no-fly zone, lose sight of the fact that all those other examples are not tied to, for the lack of a better phrase, this Tunisian inspired, ongoing Arab spring. The Libyan uprising/rebellion has tied itself---whether we think of it as an uprising, protest or rebellion or none of the above-- to all the jasmine wafting through the air from North Africa to the Middle East, and so far each Arab government, with Al Jazeera's TV cameras beaming down on them, have been forced to stay within certain parameters when it came to what they could do to squash their own people. Sure, with each uprising each government has tried to widen those parameters, but by and large they stayed within them. But Quaddafi hasn't. Unlike other Arab autocrats, he has refused to be bound by any parameters as to what he will do, thus Libya threatens to be the grave of this Arab spring and hence the need to level the playing field. That's why we thought FP's Marc Lynch was on the money when he wrote:
One of the strongest reasons to intervene in Libya is the argument that the course of events there will influence the decisions of other despots about the use of force. If they realize that the international community will not allow the brutalization of their own people, and a robust new norm created, then intervention in Libya will pay off far beyond its borders. 
So it boils down to a government's disproportionate use of military force and where you want to draw the line: if Quattara and the Ivorians, the Iranians, Bahrainis, Yemenis, Zimbabweans, Cameroonians, Swazis, and whoever is considering toppling a dictator can tie their effort to all the jasmine in air and then wage protest to the point that the dictator in question calls in artillery and fighter jets to mow you down (sorry, your dictator will have to do better than snipers and riot police mowing you down with bullets at point blank range), then you've earned yourself an allied intervention.

For those of us hoping--though doubting--for an intervention led by Arab fighter jets.... Over the weekend, the Arab League did an about face, saying it was dumb enough to think a no-fly zone can be imposed without taking out Quaddafi's anti-aircraft defenses and without collateral damage. When they paved the way for UN resolution 1973, what did think the allied forces were going to do when one of Quaddafi's jets decided to take off? Use harsh language?  

Atlantic's Jefferey Goldberg tells an anecdote about Amr Moussa and the Arab League - here. For some intimate sketches from the trenches, check out blog posts from John Lee Anderson and Rob Crilly. Arwa Alasma, 23, law student, Benghazi, Libya (video 17 of 25):
...we could actually get these foreign companies to move to Benghazi to get more jobs for young men and women... just this chance to prove themselves; that's all we are asking for. I mean people (sigh)... People actually, when you say Libya, think Muhammad Quaddafi. Please don't judge us like that. Please, please, please don't judge us like that.
For the sub-Saharan African side of the fighting, NY Times' caption on this pic said, "some of the dead included young fighters from other parts of Africa." Credit: New York Times/Patrick Baz/Agence France-Presse — Getty Images


The video below is a few weeks old. We aren't sure if the guy said the Quaddafi soldier killed was "Nigerian" or "Nigerien":

Nigeria: Arise Fashion Week, 2011


4AcesTV posted their diary from the just concluded Arise magazine fashion week, Lagos, 2011, from which five designers get to represent Africa at the next New York Fashion Week.



The Telegraph slideshow of winners - here + Day one to the finale.

Swaziland: Smell the Jasmine, Cont'd

On Friday (18 March 2011), 10,000 people marched on the office of the prime minister to call on the government to resign. More mass protests are planned over the coming weeks and an ‘uprising’ for 12 April is being coordinated by a Facebook group.


Pictures of Friday protest and a truck load of riot police (said to be singing war songs) itching to knock some heads from Swazi Shado blog:


IPS' Mantoe Phakathi reports the Swaziland's government, facing budget cuts, has done itself no favors by introducing austerity measures against the backdrop of King Mswati III and the royal family's monopolization of the Tibiyo Taka Ngwane conglomerate (established with public funds) which funds the family's cultural activities and lavish lifestyle:
Mduduzi Gina, the secretary general of the Swaziland Federation of Trade Unions (SFTU), said the march was also a build up to demand a change to the Tinkhundla system of government in which the King appoints the prime minister and cabinet, as well as a total of 30 members of the upper and lower houses of parliament. "Nothing can stop us from ensuring that what happened in Tunisia and Egypt also takes place even here," Gina told the crowd, to enthusiastic applause. (more)
At Free African Media, Manqoba Nxumalo explains why the local media hasn't been much help, calls out foreign media failure to call out the King's human right abuses and explains "Tinkhundla":
This is the Swazi system that allows only individual candidates – not representatives of a political party – to stand for election. Tinkhundla entrenches the power to govern with the king, who appoints 10 of the 55 directly elected members of parliament and 20 of the 30 members of senate. Under this system, the prime minister is appointed by the king, and no political parties are allowed. This system also ensures that all governing powers are held by the king, who exercises them through the prime minister.
Swaziland Commentary adds:
The media gives the world an impression that the problems facing Swaziland have more to do with the king’s lifestyle than with an archaic and rotten political system that stifles any form of dissent and opposition. When King Mswati III jails, tortures and drives his political nemeses into exile, the South African media in particular, and the world media in general, do not find this worth headline news – even though a completely different approach is taken when it involves Zimbabwe.

Nigeria: Nollywood Panels, Platforms, Pan-African Ambitions

If you are in the New York area, you might want to check out filmmaker Lancelot Imasuen and media investor and attorney Dayo Ogunyemi from the Nigerian film industry speaking on African film at one of the panels at the Columbia University’s African Economic Forum:



...which takes place from March 25-26, 2011. With over 400 participants last year, the forum has grown to be the largest Africa-focused event on the campus and seeks to highlight opportunities and challenges through stimulating discussion, insights and strategies for a prosperous Africa. Imasuen will be covering the perspective of a producer in Nigeria’s prolific movie industry and describing the business model in depth. Mr. Ogunyemi will discuss amongst other things his firm’s recent launch of Cinemart, a digital cinema platform targeting the large portion of the population in Africa who can only afford to pay one or two dollars to view a movie. The panel will also be graced by Matthew Plouffe (Focus Features) and Mahen Bonetti (African Film Festival).

Speaking of distribution platforms, as new Nollywood heads towards box office releases, other entrepreneurs have turned the once free for all internet into a viable business model:


The Nollywoodlove site for a while has had:
....a partnership with YouTube which enables us to run adverts alongside or inside the movies you are watching. This means we will be able to ensure a film is free for NollywoodLovers globally... buying the right to stream movies on YouTube and the internet. These are multi year contracts which go directly to the film production houses.
...its also got its sights set on hulu, itunes, amazon vod...


African Movie Academy Awards (AMAA) blast off Sunday March 27,  2011. Though AMAA is based in "Nollywood", its 2011 nominations is anything but nollywood... As we observed in our FESPACO 2011 round up, AMAA has made no secret of its pan-African ambitions. Vanguard's Benjamin Njoku's breaksdown the 2011 nominations to find Nollywood combined 23 noms trails behind DRC and South Africa:
Giving the breakdown of the nominations as announced on February 25th in Kenya, the Chief Executive Officer of the award body, Ms. Peace Anyiam-Osigwe at a media briefing on Monday at Protea Leadway Hotel, Maryland, Ikeja gave the breakdown of the nominations, saying, Congo and South Africa got the highest nominations. She said that although Viva River, a film from Congo had the highest single nominations, South Africa has four films that are very strong that made the nominations too. The four South African films in competition include Hope Ville with 9 nominations, Izulu Lami, 7 nominations, Shirley Adams, 5 nominations and A Small Town Called Descent with 6 nominations. Combined together, South Africa had the highest nominations by a country with a total of 27 nominations.Ghana’s Sinking Sound had 10 nominations and Kenya’s Soul Boy had 6 nominations while Nigeria has four films that are also prominent on the nomination list with Tunde Kelani’s Maami, Inale, a film directed by Jeta Amata, Niyi Akanji’s Aramotu, and Mahmood Alli-Balogun’s Tango with Me. In by country nominations, Nigeria trails South Africa with 23 total nominations.
Also news of a Prague School training initiative.

One can of course see a scenario where a more pan-African AMAA forces the emergence of that  New Nollywood to compete with the South Africans, who definitely have the technological edge. Others though might see it as an unfair fight.

Saturday, March 19, 2011

Libya: No-Fly Zone, Cont'd

At today's Paris summit meeting for the UN backed enforcement of a no-fly zoen over Libya, the African Union (AU), wrote NYTimes Steven Erlanger and David Kirkpatrick, was no where to be found:
... held over lunch at the Élysée Palace, and it included prime ministers or foreign ministers from Britain, Canada, Germany, Norway, Italy, Qatar, Morocco, the United Arab Emirates, Denmark, Belgium, Spain, Poland and Mrs. Clinton for the United States. The Arab League secretary general, Amr Moussa, a candidate for the Egyptian presidency, was also there, along with the incoming head of the league, Foreign Minister Hoshyar Zebari of Iraq. Also attending were the European Union foreign policy chief, Catherine Ashton, and Mr. Ban of the United Nations. While Arab representatives came, following through on the Arab League’s call for a no-fly zone in Libya, there were no African leaders, and the head of the African Union, Jean Ping, did not attend, instead going to Mauritania for a meeting with African leaders tasked with mediating a peaceful end to the Libyan crisis.
Let's start this with FP's Marc Lynch, who is torn by the UN Resolution 1973 passed Thursday authorizing a no-fly over Libya and, indirectly, the military intervention it takes to enforce it. But then he pretty much nails why the Western powers are going in:

One of the strongest reasons to intervene in Libya is the argument that the course of events there will influence the decisions of other despots about the use of force. If they realize that

Africa: CNN's Robyn Curnow Discovers "Bushpunk"

Kenya/South Africa: New Cinema. New Films.



The makers of South Africa's highly successful international crossover White Wedding (2009) (blogged here) are back with the same cast (dir. Jann Turner, actors Keneth Nkosi, Rapulana Seiphemo plus who else but Vusi Kunene as the bad guy), in Paradise Stop (2011). Feels more Serpico than a buddy comedy but still keeping the buddy movie signature from White Wedding along with all the weird white guy as comic relief. Behind the scenes below:



Bob Nyanja's The Rugged Priest (2011), shot on 35mm...


...is about an American Catholic priest who gets in the middle of the politics in the Rift valley:



On the heels of the Ford brothers zombie horror, The Dead, South African studio, Film Factory, takes on the slasher genre with Night Drive, which premiered in SA in February. In what they label a "bushveld slasher" (lol), tourists on a safari are hunted by poachers who are hunting humans for muti. Trailer -  here.


For the film geeks, cue to 4:20 - for portability and shooting low light in the bushveld, the filmmakers shot the film with a Cannon 5D Mark 2 highend still camera, rigging the light as feather cam in all sorts of interesting ways. Yep, u heard right, "a highend still camera":



More behind the scenes - here.

Morocco: Arabic Booker, 2011

The International prize for Arabic fiction (the Arabic Booker) was announced on March 14th. It went to Arch and the Butterfly by Moroccan Mohammed Achaari and The Doves’ Necklace by the Saudi Raja Alem, the first woman to win the prize.


Breakdown of the shortlisted books - here. BBC's Strand spoke to the winners the morning after the win about their novels against the backdrop of ongoing revolutions - here.

Ghana: The Revolution will be Embedded



Better Without You - Rhian Benson. CNN African Voices profile - here.


Heart the poster for Ghanian pidgin rapper Wanlov the Kubolor (Coz ov Moni? Yeah, him) collabo with with Keziah Jones on African Gypsy. Critical Point review - here. Museke has the details.



Can't put a finger on it, but there something awesome when Ghanaian rappers like Obour, Obrafour, and Ayigbe Edem and Tinny (below) beef and drop bombs in Twi, Ga, Ewe and other languages.



H/T: Mimi, Museke

Kenya: Melinda Gates On the Role of Maps

... in development:


There was a time Baudrillard would have said Melinda Gates is acknowledging that even development has to contend with the nature of the "hyperreal" or our simulated perceptions of Kibera or other slums. In other words, she's advocating a return to the real by re-mapping the real Kibera. The first few paragraphs of Baudrillard's S & S should explain it better.

Sierra Leone: Book Cover Fubar


Sierra Leone-British writer Aminatta Forna's Memory of Love (she talks about the books characters - here) was a  Commonwealth prize regional winner and made it on the Orange prize long list.

Tom Devriendt over at Africa is a Country as the details of this book cover publishing fubar.


H/T: myWeku

Egypt/ Morocco: Explioting the Revolution

Zeinobia over at Egyptian Chronicles is fed up of musicians artists explioting the revolution:
We do not want cheesy films so soon about the revolution starring hypocrite actors who used to praise Mubarak day and night, we do not want films about the revolution after three months. This revolution is more than songs and cheesy films noon because the revolution is not over , we are still in the early steps from political view and from historical view.
But she reserves a special place for Siyed Darwish (Arabic: سيد درويش; March 17, 1892 - September 15, 1923), who was recently doodled by google on his birthday, March 16th:


Or she might approve of this video by artist Shirin Neshat of Umm Kulthum (أم كلثوم‎ December 31, 1898 - February 3, 1975), the singer known as the Mother of Egypt, juxtaposed with pictures of young revolutionaries.

Moroccan youths recently held peaceful protests, which pushed Morocco's already progressive (except when it comes to press freedom) monarchy to institute more reforms. They also complained (below) abt others with different agendas were explioting all the jasmine in the air:

Africa: Something to do with-America Reality Shows

No pattern emerging here, just a few something to do with America reality shows we noticed popping up from East Africa to Ghana to South Africa:

South African TV personality Nonhle Thema's Nonhle Goes to Hollywood (review) aired in February:


A Hollywood pep talker acting coach will be auditioning actors in Ghana:



A show about a Tanzanian family in the U.S (debuts in East Africa March 25):

Friday


Sweet compilation of unforgettable film and television title sequences via Art of the Title sequence blog, compiled for just concluded SXSW fest. Which reminded us Boing Boing recently posted a fabulous Raquel Welch ogling title sequence from Fathom (1967):

Thursday, March 17, 2011

Sudan/ Benin: "Bernie Madoffs" of Africa


One thing that jumps out from Dan Morrison's recent piece in Slate about the Berni Madoff of Sudan, former policeman Adam Ismael, whose ponzi scheme fleeced an estimated 50,000 victims of $180 million, is its similarity to the Berni Madoffs of Benin. Here's NYT's Adam Nossiter writing last year about the Investment Consultancy and Computering Services (ICC), whose ponzi scheme fleeced between 50,000 and 70,000 Beninios from all tiers of society also of an estimated $180 million. Apart from the numbers, what we drew from both is that for a ponzi scheme in an African country to be successful, it needs to reach into pockets across all the social spectrum, and to that it must either have goverment backing or fake it:
[In Sudan] The fund had just a few thousand bold investors until February 2010, when campaign season began for Sudan's April general election. Ismael and one of his partners, a police officer named Musa Siddig, became candidates for the North Darfur state assembly on the ticket of the ruling National Congress Party. Their faces appeared on giant banners alongside those of the governor and of President Omar al-Bashir, who is wanted by the International Criminal Court for war crimes in Darfur. This implied presidential endorsement set off a frenzy. People across Darfur, in Khartoum, and from as far away as the United Kingdom began liquidating their assets and investing the proceeds in Mawasir. By March 2010, the fund's capital reached 500 billion Sudanese pounds, about $180 million, the vast majority of it from new investors—this in a country with a yearly per-capita income of $2,200. Everyone wanted a piece. Rebels from a leading faction of the Sudan Liberation Army "neglected the struggle and came to make money," as one Darfuri put it. These dozens of Zaghawa fighters became agents for the fund, working off commission to collect cars, cows, camels, sheep, and even chickens in lieu of cash from would-be investors. "Even women were selling their dishes."
In Benin...
They pressed up against the fence, anxious, angry and insistent that because they had seen pictures of President Thomas Yayi Boni, himself a former banker, alongside officials of the company, called Investment Consultancy and Computering Services, they assumed that it must be legitimate. Officials estimate that there are between 50,000 and 70,000 victims, with losses of perhaps $180 million — a big sum in a place where most subsist on less than $2 a day and breadwinners have extended families counting on them. “No family has been left untouched by this,” said Gustave Anani Cassa, a lawyer and former justice minister. More than 4,000 complaints have been brought to his law office alone, he said. “I’ve lost everything,” said Christian Benhoungbedi, an auto painter waiting outside the prefecture. He said he had invested hundreds of dollars. “I just wanted to help my family.” Some had waited days outside the yellowing government structure, spending the night under a huge mango tree. Others in the crowd spoke of suicides and deaths from hypertension because of the losses. They brandished official-looking “I.C.C.” contracts with the Statue of Liberty and the stamps and seals that are a staple of West African officialdom. They said they had been enticed by seeing members of the government on television with I.C.C. officials.
Also read in the Slate piece how Ismael's ponzi scheme indirectly helped North Sudan president Omar Bashir but read here how the ICC Benin ponzi has dogged president Boni Yayi into a tough reelection race.

Nigeria/ Austria/ China: Nigerians in Various National Imaginations



We came across Emmanuel Uwechue in this blog post, where we tried to make a coherent quilt out of numerous comment threads to a NY Times piece on "Chinese perceptions of Africans". But in case you missed Jimmy Wang's NY Times article about Uwechue (known in China as Hao Ge) yesterday, it's worth the read. It goes in depth and claims "Hao Ge" is:
...not just another foreigner who got on TV because he could speak and sing in Chinese,” said Yu Na, 40, who lives in northwest Beijing, adding that she likes to “jump up and down” to Mr. Uwechue’s more upbeat songs; many of them are soul-infused versions of classic Chinese love songs, with faster rhythms. Mr. Uwechue is not the first foreigner to have made a name for himself in China, but he is the first African to have reached widespread success here. Some music industry experts in China credit part of his fame to the close economic and cultural ties — including friendship and exchange programs and other joint ventures — that have long existed between China and some African countries. In a recently televised public performance, Mr. Uwechue dressed up as an oil rig worker and sang alongside a Chinese fellow laborer.
Read here the part where he said he also felt boxed in.... But we found even more interesting is the part in video where he explains the difference between the inflections of R&B and soul he brings and the Chinese preference for a more operatic rendering of feeling or emotion.


Afro-Euro blog writes about director Erwin Wagenhofer's Black,Brown and White (2010), an Austrian film about a Nigerian woman called Jackie, played by British-Ghanian actor Clare Hope-Ashitey . More here.

Uganda: The Revolution will be Embedded



Breaking Down - Naira Ali. dir. Kim XP. prods Jose Mayanja and Henry Kiwuuwa. Grayce records, 2011.



Kawa - Lilian Mbabazi (of Blu3). dir. Gasuza & Onoh. Market Day Films, 2011.

Not everytime you see a video like Ali's or house music like Lilian's among the slew of videos uploaded from Kampala. Also, we learnt “Kawa” is slang for “all good” in Luganda.

Wednesday, March 16, 2011

Libya: The No-Fly Zone



Al Jazeera looks at Somali refugees caught between the Libyan Scylla and their own Charybdis. Whether the window for a no-fly zone has passed or not, below is U.S. defense sec Robert Gates before Congress a few weeks back maintaining it's still, for the United States, a very bad idea:



By clarifying how big an operation it is, Gates shows how even a no-fly zone by NATO or under the guise of UN peacekeeping will still put America at the center of the story. Below Matt Welch concludes that knowing that America will become the center of the Libyan story, you aren't really supporting the revolutionaries when you ask for a no-fly zone:


But if the Arab League now supports the no-fly zone ...



... and has asked the UN for a no-fly zone over Libya, the question we are all asking is why don't they just impose it themselves - with the UN's blessings. And if they don't, why shouldn't we then blame Qaddafi's incoming pogrom and slaughter of the rebellion on the Arab League's reluctance to organize itself and marshal Libya's neighbors into imposing a no-fly over the country? After all, it is the Arab League (above) that's calling on the U.N for a no-fly zone over Libya without foreign intervention in Libya. We are assuming the reason they don't see the paradox contradiction in that request is because they are going to be the ones bearing the burden of imposing the zone and protecting their fellow Arab-Africans from the whims of a mad tyrant.

If the League doesn't step into the vacuum, someone else will. Over at the Daily Beast, Ron Moreau and Sami Yousafzai report on the Al Queda call to arms for Libya .

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