Africa Speaks, America Answers: Modern Jazz in Revolutionary Times (Nathan I Huggins Lectures) (published February 2012), gives us a meditation on Africa, jazz and modernity: we see innovation not as an imposition from the West but rather as indigenous, multilingual, and messy, the result of innumerable exchanges across a breadth of cultures. From the prelude:
By exploring the work, conversations, collaborations, and tensions between both African and African American musicians during the era of decolonization, I examine how modern Africa figured in reshaping jazz during the 1950s and early 1960s, how modern jazz figured in the formation of a modern African identity, and how various musical convergences and crossings shaped and the political and cultural landscape on both continents. This book is not about the African roots of jazz, nor does it ask how American jazz musicians supported African liberation or "imagined" Africa. Rather, it is about the transnational encounters between musicians.Other recent writings:
Musical Echoes: South African Women Thinking in Jazz (Refiguring American Music) by Carol Ann Muller and Sathima Bea Benjamin.
Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana by Steven Feld